My work is often raw, immediate and provocative. I use film and the editing process to tell stories which carry powerful personal meaning for me.
I experiment with creating visual streams of consciousness that further enrich our experience of time. I am particularly interested in making films that relate to ways people see; to the theory of the visual, the poetics of vision and the minds eye. The idea is to promote different types of viewing that will transfer our attention from what we look at, to us as the subject and our experience of looking.
As an experimental filmmaker I investigate theatrical experiences that lure the viewer into a perceptual and intimate world where they can participate in the act of seeing, so that they can move from a conscious level of looking to a more unconscious level and project elements of their own memories, desires and fears onto what they see.